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Corrosion of Conformity - In The Arms Of God

Sanctuary – 2005

By Mike Porciello

Digging through the pile of CD's and movies to review, this is the one that stood out first and foremost. I loved these guys in the 90's, when their heyday arrived a little later on in their careers, with the Alternative revolution, and when NY radio station K-Rock (WXRK) 92.3 FM, dethroned Q104.3 as "IT" in new music. Yeah, that's right, Q104.3 actually played new music back then.

Not many realize that this band has been around in one incarnation or another since 1982! The original band cut their teeth in the punk scene, as, shall I say, an anti- Reagan band? They were right there with the likes of Black Flag, D.R.I., and No Labels. Come 1990, give or take, guitarist Woody Weatherman realized that not only does this stuff not pay the bills, but there's much more talent to put forth, then two or three chord crush. The band, with Karl Agell on vocals released their crossover, and critcally acclaimed album "Blind", which many fans think may their best work. Now original drummer Reed Mullin is 2 albums gone, word has it that Vocalist/Rhythm Guitarist Pepper Keenan (Rhythm/ Lead Guitarist of Down, featuring Phil Anselmo, ex Pantera, vocals) called fellow New Orleans buddy Stanton Moore ( drummer, Galactic) to see if he knew of any "manic drummers", to which he responded "Yeah, me"! Let's just say the rest makes Heavy Metal history!

About 10 seconds into "In The Arms of God", I realized that this is no filler! Gone almost completely is the Southern sound, and replaced with a more straight forward heavy hitting, yet very melodic, blackened approach to the band's craft. "Stonebreaker" starts out with an organ intro, then quickly the bands trademark "Chugga chugga chugga chugga chug" is re-introduced with an updated approach. "Paranoid Opioid" a screamer duel between Pepper Keenan and bassist Mike Dean (who sang quite a few of the bands older songs, when they were punk) is a more mature way of approaching their older style of punk in today's world. Also, Dean sings lead on part 1 of the two part "Dirty Hands Empty Pockets/ Already Gone", adding a funky, yet manic bass intro, and also sings lead on "Infinite War". Drummer Stanton Moore, who shortened his kit by quite a few pieces to be a part of this outfit, kicks and slams his way home, almost giving the impression that he's playing double bass, which in fact he's not. COC has always been one of the few metal bands who disdain the double kick, and prefer to keep it simple. All I can say is, Stanton Moore is one hell of a drummer, and that is what this band needs, in the absence of original skinsman, Reed Mullin, whose leaving definitely hurt the bands popularity.

I wasn't very impressed with their last offering, "America's Volume Dealer", as I felt the band had started to lose focus on it's ability to be brutal. "Wiseblood" from 1996, was a little more Southern in style, than their most successful album to date, "Deliverance", which featured such songs as "Clean My Wounds", and " Albatross". "In The Arms of God", without a doubt, is the bands most talented, and overall GREATEST album, so awesome in fact, that it's in my top 5 albums of all time! After the acoustical jam of "Rise River Rise", the guys go right back to recalling their 'Sabbath influences on "Never Turns To More", and they keep it coming, like fine wine! My personal favorite is "Backslider". The song, a goove oriented, almost 1970's homage, finds the band in their finest from, as they deliver their opus with poise and slight reckless abandon. The album ends with the acoustic "Crown Of Thorns", which depicts Jesus's final moments, as guitar strings are picked and distorted to give off the sound of Jesus being whipped. Following right in it's path, the title track "In The Arms Of God", again, with the trademark "chugga chugga chugga chugga chug", closes it out, and is easily the heaviest track on the album. The song, dedicated to Guitar God, Pantera great, "Dimebag" Daryl Abbot, makes us wonder: How are they ever going to top this one? All in all, I give it a perfect 10 out of 10 bullets, as this is easily where the band has finally hit it's stride. It has a little of everything that a fan of the band, and even critics could ask for. It hits hard, it hits fast, it slows down, it comes back for more, and it finishes you off, and buries you!

www.sanctuaryrecords.com